This Week In Fandom

This Week In Fandom, Volume 138

Welcome to This Week in Fandom, the OTW’s roundup of things which are happening! First of all, did you see this grandma enthusing about how much she loves Jimin from BTS? Fandom is for everyone! And if any of your grandparents are in a fandom, share it with us in the comments!

Speaking of BTS, their new album Map of the Soul: 7 and latest single On are breaking records and topping charts all over the world. See Vox’s latest article BTS Just Landed an Unprecedented Spot on the Hot 100 — With Virtually No Radio Play if you want to nerd out about chart positions and find links to dance choreography videos and more behind the scenes content. Most notable, though, is how successful BTS have been in western markets like the US despite “the wall of industry gatekeeping” that denies promotion and airtime to overseas artists:

“An international band, singing mainly in a language other than English or Spanish, landing this high on the chart without the influence of mainstream radio suggests a powerful cultural change. More people are finding their way to the band independently, and traditional industry promotional methods are becoming less effective than ever.”

Writes Aja Romano. If you’re a fan of international music, this can only be good news. Read More

OTW Guest Post

OTW Guest Post: Margarita Coale

From time to time, the OTW will be hosting guest posts on our OTW News accounts. These guests will be providing an outside perspective on the OTW or aspects of fandom where our projects may have a presence. The posts express each author’s personal views and do not necessarily reflect the views of the OTW or constitute OTW policy. We welcome suggestions from fans for future guest posts, which can be left as a comment here or by contacting us directly.

Margarita Coale is a commercial and intellectual property attorney in Dallas, who focuses exclusively on the representation of authors, and romance writers in particular. A love of romance novels is one of the few constants in her well-traveled, adventurous life which began in Monterrey, Mexico and included time at a New York law firm. Today, as part of Fair Use/Fair Dealing Week Margarita talks about a legal case and its fannish connections.

How did you first find out about fandom and fanworks?

When we first got a Kindle many years ago, and it got web capability, I started looking for things to read (I had a small child and was trying to find a work/home balance). I came across Archive of Our Own in late 2013, and started to read quite a bit of Sherlock Holmes fandom work. Towards the end of 2015 I started to look into other sites, including fictionpress and literotica, and became quite familiar with Omegaverse and some of the other fandoms. I have many friends who are Supernatural fans and have often discussed those works with them.

These days, I spend a lot of time monitoring our children’s use of AO3 (its tagging system can be challenging), Wattpad, and Reddit, while also dealing with some legal issues for my clients (I have some who publish fanfiction au and also use Radish).

Read More

This Week In Fandom

This Week In Fandom, Volume 137

Hello and welcome to This Week in Fandom, the OTW’s roundup of things that are happening! Before we get stuck in, did you see these very cute fandom-themed pregnancy announcements from Florida blogger Grace Navarro? She posted a different one each week throughout her pregnancy! Do you have a favourite? Let us know in the comments!


In an effortless segue from birth to death, the first news item that we have for you guys today is an article from the Atlantic. In ‘How to Murder Harry Potter’, journalist Kaitlyn Tiffany explores something that she calls “deathfic”: ‘the kind of fan fiction in which a beloved character dies, typically in a way that is as painful for the reader as possible.’

Some fan experts questioned the breadth of Tiffany’s working definition:

But however esoteric the categorisation, we did find the article respectful of the works and readers it explores; and in consequence, the conclusions at which Tiffany arrives feel valid. She finds that such stories serve a number of purposes. Some writers use them ‘to give a beloved character the mourning that the commercial narrative didn’t have time for’; others to ‘sort out experiences from their own life’. In the end, she concludes, it comes down to control: deathfic ‘stuns the system and then allows an easy exit’. Sometimes, that’s what we need. Read More