- At Research Hazel Robinson discussed how fandom works. “Everyone behaves slightly differently online. So in the same way that a blogger might be more confessional on the internet than they would be in their office, fans will be sillier, more obscene in the privacy of a secluded online spot. The specific behaviours of fans will vary a lot from medium to medium though. Some fans might be quite coy on Twitter, as that’s often used for more cross-fandom/experience discussion and feels more public, whereas they’d be very open and in-depth about their fandom on a specific message-board or community.”
- The New Republic posted about fandom ethics in relation to the World Cup. “Objecting citizens may be overlooking the fact that students all over the world are learning about Brazilian arts, letters, and philosophy due to the attention brought upon the country by the World Cup. For example, this past semester, a student in my course on Latin American thought at Brooklyn College argued that the World Cup in fact represented a serious threat to democracy, given the authoritarian policies installed to organize and realize the Cup. He cited Leonardo Boff, a Brazilian theologian and philosopher, as a source for his concept of a just, participatory democracy…trying to track down all the consequences of buying a ticket from FIFA, coming to Brazil, and participating in the business surrounding the World Cup is impossible and does not get to the heart of the matter.”
- GMA News Online posted about KPop fans and stans. “‘Fandom is a fuel of trade,’ said Catherine Deen, one of three scholars who spoke about the hallyu phenomenon in the forum ‘The Hallyu Mosaic in the Philippines: Framing Perception and Praxis’ at the Ateneo Initiative for Korean Studies Conference…last week. In their studies, Deen and fellow speakers Patrick Capili and Gilbert Que surveyed hundreds of fans and major KPop fanclubs in the Philippines, categorizing the fans based on their activities and level of affinity with their idols.”
- The Ogiue Maniax blog discussed American anime fandom. “Historically, anime has not needed its American fanbase. Sure, there have been a lot of viewers, but anime’s domestic market is Japan, and it also finds success around the world, in Europe, South America, and Asia. The US certainly has an online presence when it comes to anime discussion and enthusiasm, but over the years it’s been easy to get the impression that this fandom is a paper tiger, especially when it comes to popular shows among the internet fandom not translating to home video sales…Now, however, not only are American viewers tuning in to catch Toonami and its latest anime, but the shows people are most interested in are also the ones that have developed large fanbases online as well.”
What parts of fandom history do you remember? Write about it on Fanlore! Contributions are welcome from all fans.
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