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This Week in Fandom, Volume 59

Welcome to This Week in Fandom, the OTW’s roundup of things which are happening! Before we start, thanks to everyone involved in the OTW election this past week! You can see the results in our announcement post. Congratulations to the board members-elect!


The 2017 Hugo Awards were handed out this week at WorldCon 75 in Helsinki, Finalnd. You can see all the nominees and winners here on the official website. The awards were swept by women and people of colour. As Bustle reports, 8 of the 10 awards went to women, with the Best Novel award going to N.K. Jemisin, a black woman who also won the award in 2016. According to ECNS, Jemisin’s closest competitor for the award was Liu Cixin, a Chinese writer.

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This Week in Fandom

This Week in Fandom, Volume 53

Welcome to This Week in Fandom, the OTW’s roundup of things which are happening! Before we start, did you know that The Babadook has no Fanlore page? If only someone would tell its story.


Sad news for vid lovers this week: VividCon is shutting down. According to a post on the convention’s Dreamwidth community, 2018 will be its final year. Organizers say there were multiple factors that contributed to the decision. “We could make significant structural changes to VividCon, reduce programming, make it smaller – but odds are we would run into the same problems again before long, and in any case, something that different doesn’t feel like VividCon to us. We’ve decided as a staff to end on a high note and make VividCon 2018 the final run.”

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This Week in Fandom, Volume 50

Welcome to This Week in Fandom, the OTW’s roundup of things which are happening! Before we start, apologies, but Eurovision is a mythical beast that is too great for this humble newsletter. Check out #Eurovision and #ESC2017 for flaily goodness, plus this indy100 article for a bit of controversy.


Syfy announced a rebranding this week. The Verge published an article detailing how the network is refocusing on fandom. (Warning for flashing gif at link.) In 2009, the name change was made from “The Sci Fi Channel” to Syfy in “an effort to capture a broad audience.” However, “the corporation now understands the need to do the opposite, by doubling down on Syfy’s roots. The end goal [according to network executive Chris McCumber], is to create a home ‘for fans to come in and celebrate the genre that they love.'” According to Collider, “[Syfy’s] focus will now be in four areas: science fiction (like The Expanse), fantasy (The Magicians), supernatural/paranormal (Channel Zero), and superheroes/comics (new series Krypton).” (Warning for potentially disturbing image at link.)

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