The Organization for Transformative Works (OTW) is a nonprofit organization run by and for fans to provide access to and preserve the history of fanworks and fan cultures.
News of Note, Intellectual Property, Books, Music, Television, Fan Videos, Entertainment Industries
The Asahi Shimbum detailed fan concerns about the TPP. "Usami and other creators of fan fiction, however, could face the possibility of legal prosecution as copyright violators in the future, depending on the outcome of TPP negotiations. Some countries are apparently demanding that Japan clamp down on knock-off and pirated works in the intellectual property arena, even if the copyright holder does not object to it. Under current Japanese copyright law, authorities take action only after the copyright holder, such as the artist of the original work or publisher, lodges a formal complaint."
Conferences, News of Note, Comics, Fan Conventions, Fanfiction , Academia
For those fans who enjoyed the OTW's academic panel chat you may also want to look at Participations: Dialogues on the Participatory Promise of Contemporary Culture and Politics. This conversation among seven academics included Sarah Banet-Weiser, Nancy Baym, Francesca Coppa, David Gauntlett, Jonathan Gray, Henry Jenkins and Adrienne Shaw. Coppa discusses Welcome to Night Vale: "[I]t looks to me like something that could have been invented by an artist trying to imagine Henry’s definition of transmedia’s best self: radio, so giving fans an opportunity to imagine the visuals individually and collectively, which they have done with gusto; central characters who are queer and of color; an open invitation to make other things for and in the world (I wouldn’t even say 'an invitation to fans,' because, in a way, we’re not fans; we’re explicitly framed as citizens of Night Vale)."
News of Note, Commercial Works Authors, Fanfiction , Fannish Communities
Two articles popped up recently that showed how introducing people to fanfiction through, well, fiction could spark discoveries. At Book Riot, Cassandra Neace used Rainbow Rowell's Fangirl as a way to jumpstart her imagination. "This is what I’ve learned: writers of fan fiction are incredibly capable and inventive...I even, at one point, dabbled in writing my own because it occurred to me that it was a great way to get used to writing on a regular basis. When the stress of world-building is taken away, it’s much easier to let the words flow. Eventually, the act of writing becomes so comfortable that the idea of building my own world from the ground up isn’t as intimidating as it once was."